Last month’s Comp Post spurred on a major Mutant Pop Records nerd-out. This month I’m trying not to have a full on Lookout! Records nerd-out. Back to back nerd-outs are not good for my sperm count, and a Lookout! Records nerd-out is like the motherload of all nerd-outs. (My Google analytics told me I need to use the words ‘nerd’ and ‘out’ more often). I’m just going to explain this quickly and then get the hell out of here before something weird happens. Jeruk Records is an Indonesian label that appears to specialize in 90’s-style pop punk of the weasel persuasion. They’re going to anyway. It looks like they only have 2 releases on Bandcamp so far, this comp being the first. An introduction, if you will, to the kind of kickassery they’re planning on dishing out. Keep a close eye on these guys, and don’t be surprised if you see me talking more about them in the future. I have to go, this is getting too intense! Giggity!
POSTSCRIPT: Sorry about the Quagmire thing.
If you know anything about me (and I hope you don’t), you know (you shouldn’t) that I’m a super-nerd for Lookout! Records and Mutant Pop Records. Most people are familiar with Lookout! but not everyone remembers Mutant Pop, so here’s a little blast from the past.
Way back in the 1990’s there was an influx of, what’s commonly known as, Pop Punk. I don’t like calling it that though, because when someone says ‘pop punk’ the first thing I think of is every band that was on the Survival Of The Fattest comp, and though that stuff was fairly rad, it’s not at all what I’m talking about here. I’m talking about what was on the Punk USA comp. I sometimes refer to it as grease-punk or weasel punk, leather jacket punk (not to be confused with spikey jacket punk), snot punk if you will; That late 80’s/early 90’s Ramones-revival punk, made popular by bands like Screeching Weasel and The Queers. It’s pop punk. Everyone calls it pop punk, but it’s not the same as the other pop punk. It’s Mutant Pop Punk. It’s more like rock’n’roll punk. It’s more Buddy Holly with distortion than it is The Descendents with a skateboard. I know, it all gets very confusing. I still have no fucking clue what the difference is between Crust and Grind.
Mutant Pop Records was a label that came out of Corvallis Oregon, which is where Oregon State University is. It was kind of like a pit stop for a lot of touring bands back then. Like Olympia junior or something. This label was fanatically committed to pumping out the greasy style of punk I speak of. I mean they put out tons of bands, and every one of them followed the exact same formula for punk rock’n’roll. They all sounded exactly the same. I mean they all practically had the same album cover, of the band standing there in leather jackets looking as uncool as possible. It doesn’t matter ok. It doesn’t matter how many bands sound exactly the same. They’re all going to be awesome because it was the most awesome genre of all time ok. That’s what Mutant Pop and I understand and so few other people do. It’s ok though. That’s not what I’m trying to show you with this post.
Really I just wanted to share this cool clipping from the Mutant Pop ‘ZINE’. This was issue #9 from February 1995, and it featured a lot of cool stuff. I do recommend exploring the website. You can find the zines in the Old Catalogs section. If you’re strapped for time though (God you must be important), then at least check out the pic below. It’s from the TOP 10 of ‘94 section which featured submissions from quality dirtbags like Ben Weasel & Joe Queer and (as seen below) the very best person of all time, Blake Schwarzenbach. You know what’s really neat-o is the incomplete submission and apology from Corin Tucker of Sleater Kinney fame, talking about her new band.. Sleater Kinney! Wow cool right! This whole post was leading up to this moment.